Musicologist: An International Journal of Music Studies 6, no.2 (2022): 210 - 223. Kotrikadze Sophiko The Issue of Folklore in Contemporary Author’s Songs in Georgian Folk Music. Musicologist: An International Journal of Music Studies, 6(2), 210 - 223. The Issue of Folklore in Contemporary Author’s Songs in Georgian Folk Music. "The Issue of Folklore in Contemporary Author’s Songs in Georgian Folk Music". Kotrikadze S "The Issue of Folklore in Contemporary Author’s Songs in Georgian Folk Music.", ss.210 - 223, 2022. Kotrikadze S The Issue of Folklore in Contemporary Author’s Songs in Georgian Folk Music. Petersbourg: Russian Instiute of History Arts. The Transmission Mechanism of Folklore Tradition: (Materials of the 21st International Youth Conference in memory of A. “The Life of Folklore Traditions: Exaggerations and Paradoxes”.
Contemporaneity and Folklore (Articles and Materials) 28-75. “Folk Music and Contemporaneity (On the Issue of Folklore Definition)”. Trio Mandili - Acharuli (Quarantine style) (video file). Proceedings of the Institute of History and Ethnology, XIV-XV: 608-616. “On Modernized Folklore" (general overview of the phenomena accompanying Georgian authentic folk music)”. Urbana, Chicago and Springfield: University of Illinois Press. The Study of Ethnomusicology, Thirty Three Discussions. Abstract of the PhD dissertation, Tbilisi State Conservatoire, Tbilisi: Georgia. “Modern Functioning Forms of Georgian Folk Music (on the example of Folk Fusion)”. Problems of Performing Folk and Church Music: 145-162. “Criteria for the “Authenticity” in Georgian Folk Music Performance”. “Georgian Folk Music and Contemporaneity (Issues of History and Theory).” Annual scientific work, Manuscript. Sarajishvili Tbilisi State Conservatoire. Gabunia N., Tsurtsumia R., Chokhonelidze K. Sarajishvili Tbilisi State Conservatoire). (Materials of the International Conference dedicated to the $80^$ anniversary of the V. “Corsican Sound: Individuality, Evolution, and Transformation”. Anahtar Kelime: author’s songs folklore traditional This article poses specific problems and shows possible solutions to them, for example: what brings the contemporary author’s songs closer to folk tradition? Why are they considered folk? What are their characteristic musical features? What factor contributes to the popularity of these examples? Also, based on the musical analysis and personal interviews, the folk character of the repertoire of contemporary author’s song performers (trio Mandili, Gogochuri sisters, group Bani, Davit Kenchiashvili) is discussed. The difference between them is shown only by the prefix. In all three definitions they are called folklore. Georgian researchers refer to such examples as ‘para-folklore’, ‘modernized folklore’ and ‘pop-folk’.
The article aims to study contemporary author’s songs and to reveal their connection with the regularities of folk musical language.In the modern era author’s songs on folk motives have not yet been given scientific name. It is strange that their consideration as folk examples is often acceptable to their authors. Modernized instruments created in the 20th century are also regarded as folk. In today’s Georgia most of the songs by contemporary authors referred to as ‘folk’ have little to do with traditional musical regularities the examples, disseminated as specific, established variants, are also called ’folk’.
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